From ‘Self-Discovery’ to ‘Acceptance of Change’: A Thematic Textual Analysis of Children's Aspirations in Post-2000 Marathi Cinema

Abstract

Marathi cinema, renowned for its cultural depth and realistic narratives, has long been a medium for social commentary, often focusing on children as symbols of hope, innocence, and resilience. Following India’s economic reforms in 1991, Marathi films began reflecting the tensions of a globalized yet traditional society, particularly through the experiences of children navigating these dualities. This study examines the portrayal of children's aspirations in select Marathi films post- 2000, analyzing how these films depict the impact of globalization, family dynamics, and socioeconomic challenges. Using qualitative content analysis, the research focuses on five critically acclaimed films: Shwaas, Elizabeth Ekadashi, Taryanche Bait, Killa, and Shaala. These films explore children’s negotiations with adult-imposed values, societal expectations, and their own evolving ambitions. The findings reveal a nuanced portrayal of childhood where neoliberal ideals such as competition and self-actualization coexist with traditional values of family and community. Themes of migration, friendship, and emotional growth intersect with material aspirations, presenting children as active agents in shaping their futures. This study underscores how Marathi cinema uses childhood as a lens to address broader socio-economic shifts, offering a layered exploration of aspirations in a rapidly modernizing India.

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