Tarangam in Kuchipudi: A Confluence of Devotion, Rhythm, and Technique with Brass Plate Dancing

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M.Sree Ravali Manoharam
U. Himabindu

Abstract


Kuchipudi, a classical dance form from Andhra Pradesh, is known for its blend of expressive storytelling, intricate footwork, and devotional themes. One of its most distinctive features is Taranagam, where dancers perform rhythmic sequences while balancing on a brass plate. This tradition prowess but also a symbol of spiritual balance and artistic excellence. This paper explores the origins and evolution of Tarangam, tracing its roots to Narayana Teertha’s Sri Krishna Leela Tarangini. It analyzes the Choreographic structure, rhythmic intricate, and theatrical significance of this performance segment. Additionally, it delves into the technical aspects of dancing on a brass plate, including balance control, foot coordination, and advanced movements such as spins, jumps, and glides. A crucial focus of this study is the manufacturing process of the brass plate, detailing its materials, construction techniques, and available size varieties. Traditionally crafted from pure brass or brass-copper alloys, these plates enhance the auditory impact of footwork while ensuring stability. Beyond its technical aspects and spiritual meaning, serving as a metaphor for the dancer’s devotion and discipline. The study also examines Tarangam’s transformation from a temple ritual to a celebrated stage performance, and its continued relevance in contemporary dance. By providing an in-depth exploration of this visually and rhythmically captivating element, this paper sheds light on Tarangam’s enduring legacy in Kuchipudi.


References

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